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The COFILMIC Comedy Lab, funded by Creative England, is an exciting new comedy film writing initiative for new and existing comedy writers, with fantastic support from industry experts across film and TV.

Targeted workshops and mentoring will nurture a new generation of comedy film makers and create a unique comedy talent network.

Creative England is financing the COFILMIC Comedy Lab as part of our commitment to developing new voices for comedy feature films.

Those with the strongest ideas will be tracked, with the possibility of further funding to take your ideas to the next level as part of the upcoming Talent Centres in Autumn 2013.

The Comedy Lab takes place in Manchester over a period of two months, with an additional pitch, networking and live comedy event with invited industry guests.

More information, including details on how to apply, is available here.

If you are a writer with no previous evidenced work, you can apply here.

The deadline for applications is May 28, 2013. Successful applicants will be notified by June 3.

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Creative England and NHS England have launched a new initiative which will support development projects that use digital technology to give young people being treated for cancer and other life-limiting conditions the chance to explore their creative potential as a catalyst for healing and personal development.

In collaboration with the Creative Skills For Life programme, Creative England now invites applications for its Creative Skills For Life competition fund totalling £100,000, which aims to develop prototypes that leverage digital technologies and media to enhance the quality of life for young people with long-term life-threatening and life-limiting conditions.

This fund is targeted at creative businesses who wish to bring innovative concepts or prototype to success in the market place in support of the Creative Skills For Life programme.

Creative Skills For Life introduces participants to creative disciplines, such as music/film making, photography and design; with a view to equipping them with the confidence, skills and motivation to address the challenges they face and boost the recovery process during and post treatment.

This initiative is funded by Creative England via the Government’s Regional Growth Fund, and managed by Creative England in collaboration with Creative Skills For Life and NHS England.

The deadline is 5 July 2013.

Visit www.creativeengland.co.uk/index.php/portfolio/funding/#creative_skills_for_life for more information.

Creative England has secured £5million from the Government’s Regional Growth Fund (RGF) to stimulate new jobs and growth in the digital and creative industries in areas of high unemployment.

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At this year’s Cannes Film Festival, Creative England will continue its key role within the new landscape of support for the creative and digital media industries in England, the UK and internationally.

Creative England chair John Newbigin will be chairing a talk on film financing and sustainability, while Head of Production Services Kaye Elliott and Head of Talent Chris Moll will be hosting one-to-one sessions in the UK Film Centre.

Also attending the festival on behalf of the agency are Chief Executive Caroline Norbury and Head of Communications & Strategy Kate Buxton.

Creative England will be celebrating its work in Cannes this year alongside three producers from its innovative iFeatures low budget filmmaking scheme – with iFeatures executive producer Tristan Goligher (Weekend) is chairing a Pitch Perfect micro pitch session

See details of the all the UK Film Centre events at this year’s Cannes festival

The three iFeatures2 films – The Goob, Norfolk and Spaceship – have recently been greenlit and Alison Sterling, producer of Flying Blind from the original iteration of iFeatures, will be attending as one of the producers.

Clips from the three feature films to be made under the first iFeatures programme – 8 Minutes Idle, Flying Blind and In The Dark Half – will be shown on a showreel throughout the festival at the UK Film Centre, where Creative England will be part of the We Are UK Film delegation.

If you would like to arrange any meetings with Creative England representatives in Cannes, please emailmartin.booth@creativeengland.co.uk

Creative England and the British Council are also hosting a lunch for international film labs.

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Creative England is now inviting applications from SMEs for its new NHS Digital Fund of £250,000, designed to support app development aimed at NHS customers, in collaboration with NHS England.

The fund will be made available via five investments of £50,000 per application on a revenue-share basis between the SME and Creative England. These loans will be matched 50/50 by the applicant company, sharing the development costs.

NHS England assisted with outlining the key priority areas for the fund which is aimed at web and mobile and tablet applications focusing on four clinical areas – Quality of care, caring for people with dementia, people with long-term conditions and mortality rates from the major diseases. These priority areas are reflected in NHS England’s business plan, Putting Patients First.

NHS England, along with senior representatives from leading NHS organisations, will provide input into the assessment of the applications.

Managed and funded by Creative England, via the Government’s Regional Growth Fund, and in partnership with NHS England, the NHS Digital Fund aims to improve cross sector collaboration and innovations, and open up practical opportunities for creative businesses to work with business clusters in other sectors such as healthcare.

Creative England’s Director of Business Investment, Jim Farmery, said: “Creative England is always looking to link creative businesses into new market opportunities and this partnership with NHS England will provide a great stepping stone into the health and wellbeing sector for the companies selected.”

Alex Abbott , Chief Technology Officer at NHS England, said: “This scheme is a fantastic opportunity for SMEs to help them in creating a sustainable business model and I encourage the SME community to get involved.”

The successful companies will also have access to a ring-fenced, subsidised place on the Design Council’s prestigious Design Leadership Programme, a national support programme helping UK businesses use design to improve performance and growth.

The deadline for registration of interest is Friday 7 June 2013 and full applications must be submitted by Friday 19 July 2013. The successful applicants will be notified by Friday 23 August 2013 ready for the project to start in July/August.

Click here for more information, FAQs and guidelines.

Email questions or requests for further information to business@creativeengland.co.uk

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©Britton Brothers photography

Deputy Prime Minister Nick Clegg today met the six digital businesses taking part in dotforge, the high growth accelerator programme to fast-track early stage high growth start-ups.

Backed by Creative England, who bring capital through the Government’s Regional Growth Fund, and a group of Yorkshire private investors, dotforge combines investment with an intensive mentoring and execution programme to accelerate the growth of ambitious start-ups that have global potential.

Mr Clegg saw first-hand how investment from the Regional Growth Fund is supporting a project that has levered private sector investment and will help to support economic development in the region.

Jim Farmery, Director of Business Investment at Creative England (below, with Mr Clegg and Creative England CEO Caroline Norbury), said: “Our aim is to support small businesses in the creative industries and help them contribute towards economic growth.

©Britton Brothers photography

“As the Sheffield City Region LEP shares our aim to nurture the digital and creative sector, our partnership on this project is mutually beneficial.”

dotforge is supported by the Sheffield City Region LEP as part of the CloudCity programme to transform the way that economic growth strategy is devised and delivered for the 21st century.

The partnership between the LEP and Creative England helps to create real local and regional economic opportunities for entrepreneurs and start-ups through vehicles such as the dotforge programme.

Lee Strafford, Plusnet founder, former chairman of Sheffield Wednesday and Sheffield City Region LEP board member, said: “The strong partnership between Sheffield City Region LEP and Creative England highlights new and innovative ways of creating the right support for economic growth.  Delivering this programme in the Sheffield City Region sets out the ambition of the LEP, supported CloudCity programme, to be an enabler of cutting-edge business models capable of driving the development and growth of our knowledge economy.”

The start-ups benefit from smart money, a lean ‘boot camp’ process and mentoring from successful entrepreneurs to help them build commercially robust product-based businesses that can scale to reach global markets. By the end of this intense period – the equivalent of running a business for a year outside of the programme – each team will emerge as more effective entrepreneurs building more resilient businesses that have better market credibility and traction.

The different business ideas range widely, bringing new cloud-based technology to disrupt markets as diverse as car buyers and dealers, live gigs, and hospitality. Other data-intensive products being developed on the dotforge programme include sophisticated technologies to improve writing and content generation, a natural language interface for data-mining, and an elegantly simple timeline of everything you might be interested in.

The programme is based at Electric Works, Sheffield’s flagship digital business hub. The venue is operated by Creative Space Management, who are working closely with the dotforge team to create an environment and culture that is conducive to supporting start-up businesses to thrive and realise their growth potential.

 

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dotforge, Sheffield’s high growth accelerator programme for early-stage startups, confirms the first cohort of successful companies. The startups will benefit from smart money, a lean ‘bootcamp’ process and mentoring from successful entrepreneurs to help them build commercially robust product-based businesses that can scale to reach global markets.

Backed by a group of Yorkshire private investors and Creative England, who bring capital through the Government’s Regional Growth Fund, dotforge combines investment with an intensive mentoring and execution programme to accelerate the growth of ambitious startups that have global potential.

Six startups from across the UK have seen off competition from nearly 100 international applicants to join the thirteen week programme. By the end of this intense period – the equivalent of running a business for a year outside of the programme – each team will emerge as more effective entrepreneurs building more resilient businesses that have better market credibility and traction.

The different business ideas range widely, bringing new cloud-based technology to disrupt markets as diverse as car buyers and dealers, live gigs, and hospitality. Other data-intensive products being developed on the dotforge programme include sophisticated technologies to improve writing and content generation, a natural language interface for data-mining, and an elegantly simple timeline of everything you might be interested in.

In summary, the six startups are:

Delver –  Getting your answers, quickly

Flowify – Real-time workflow management in the hospitality industry

GigOwl – Find, organise and promote live music

Motoneer – New car shopping made easy

Scholarly –  Technology to write better

Twile – The time of your life

The programme is based at Electric Works, Sheffield’s flagship digital business hub. The venue is operated by Creative Space Management, who are working closely with the dotforge team to create an environment and culture that is conducive to supporting startup businesses to thrive and realise their growth potential.

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Creative England has announced the final two films to be greenlit through its iFeatures2 low budget filmmaking initiative which supports emerging filmmakers in creatively developing their films and getting them made.

Spaceship from writer/director Alex Taylor and The Goob from writer/director Guy Myhill join Martin Radich’s Norfolk which was greenlit in February.

All three films will be made later this year, each with a budget of £350,000. The projects were chosen through a highly competitive process which attracted almost 400 submissions, which were whittled down to 16, then eight and finally, through a nine-month development process the final three projects.

This low-budget development, production and training initiative, partnered by BBC Films, BFI Film Fund and Creative Skillset, exemplifies our commitment to first and second time feature filmmakers and to fresh, imaginative stories that speak to a wider international audience.

iFeaturesis a national version of the original iFeatures which saw three films set and made in Bristol, including the recently released Flying Blind directed by Katarzyna Klimkiewicz, produced by Alison Sterling and starring Helen McCrory.

Tristan Goligher (left), iFeatures Executive Producer, said: “Across a diverse slate featuring violent misanthropy, summer stewed sexual tension, and unabashed pop culture the three iFeatures2 films have one clear common thread – singularity of voice. Alex Taylor’s Spaceship, and Guy Myhill’s The Goob will, alongside Martin Radich’s Norfolk, provide a cinematic and curious discourse on what it means to live in England today.

“The development process of iFeatures2 is based on a lab concept. This gives us the opportunity to provide not just story development, but also a forum to share the experiences of many industry experts, which can develop the projects as a whole. Perhaps even more importantly it brings together a collection of highly talented, enthusiastic film makers, who have supported each other on their way to becoming the next wave of UK cinematic talent.”

Chris Collins, Senior Executive in the BFI Film Fund, said: “iFeatures offers a great opportunity for filmmakers with distinctive visions to bring diverse new stories to the screen – and Alex, Guy and Martin perfectly fit the bill. We’re looking forward to seeing their ideas realised as the films now prepare to enter production.”

Steve Jenkins from BBC Films said: “Each of these projects is from a writer/director with a very personal, focused and distinctive vision for their film. I’m sure that the iFeatures brief for developing fresh and original talent will be fulfilled in the most exciting way”.

Alex Taylor’s Spaceship (right) is set past the city, before the countryside begins, and tells the story of a small town hinterland where teenagers search for themselves in a space between fantasy and reality.

Guy Myhill’s The Goob is an emotionally charged tale of divided family loyalties played out over a sizzling hot summer, in Fenland, England.

In Martin Radich’s Norfolk, two very different worlds collide as a man’s unspeakable past starts to catch up with him, and he is finally forced to confront what is right and what is wrong in order to protect his family’s future.

Creative England is taking producers Lee Groombridge and Mike Elliott of The Goob, along with Nicola Bowen for Spaceship, to Cannes this month to meet international producers.

The executive producers for all three films are Christopher Moll, Creative England’s Head of Talent, Steve Jenkins for BBC Films, Chris Collins, Senior Executive, BFI Film Fund and Tristan Goligher, iFeatures Executive Producer.

 

 

 

 

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The BFI today announces the 20 UK film production companies selected from over 170 applicants to receive BFI Vision Awards 2013-15. Designed to help grow strong and sustainable UK film businesses, each company will receive a Vision Award of up to £200k over two years, with the financial and creative autonomy they need to develop an exciting slate of film projects, grow their business and bolster their company profile nationally and internationally.

The successful companies each demonstrated a clear strategic vision for their future growth as well as a commitment to nurturing a diverse range of new voices and fresh ideas from across the UK, with a focus on creative excellence running through all the proposals. The open and competitive application process saw over 170 applicants shortlisted down to 34 who then undertook rigorous interviews with a panel of senior executives from the BFI before the 20 successful companies were chosen. Six, almost a third of those selected, are based outside London, eight feature women in leadership roles, and for the first time – and in acknowledgement of new opportunities afforded by the recently introduced UK tax credit for animation – animation studios were eligible to apply, with four selected from an impressive list.

The first Vision Awards were launched in 2008 and saw 15 companies benefit from awards of up to £75,000 per year for two years. The scheme enabled a number of companies to scale up their business and firmly establish their international reputation through the production of critically-acclaimed and commercially successful films including The King’s Speech (produced by See-Saw Films) and The Best Exotic Marigold Hotel (Blueprint Pictures), in turn helping to bolster the profile of UK film on the world stage.

The BFI widened the field for companies applying for the Vision Awards 2013-15 to attract emerging producers with at least one (previously two) credited feature film releases to their name, and introducing different criteria for animation companies. The BFI originally set out to support 15 companies, anticipating up to 10 awards of up to £100,000 per year for two years and up to five further awards of up to £50,000 per year for two years.

After receiving over 170 applications, conducting 34 interviews and seeing first hand the ambition and diverse range of compelling creative proposals from a number of emerging producers, the BFI’s selection panel decided a more impactful intervention would come from boosting a greater number of companies at the lower level. The BFI therefore pledged additional funding, making 12 awards of up to £50,000 per year, and thereby providing vital support for grassroots filmmaking activity from exciting emergent UK film businesses. In addition, eight awards have been made at the upper level of up to £100,000 per year.

The BFI Film Fund, the UK’s largest investor in film development, injects over £4m per year into the development of new British feature films. The Vision Awards, worth up to £2.8m over the two years 2013-15, provide additional business development support designed to help to tackle the challenge faced by many production companies, which struggle to find the financial resources necessary to maintain momentum on development activity across a full slate of projects.

By equipping these 20 production companies with the financial and creative autonomy required to build an effective slate of projects – often a lengthy process involving a high degree of financial risk – they can deliver a steady stream of quality projects into the marketplace, thereby helping them continue to grow into effective and sustainable businesses.

The BFI’s interview panel comprised Director of the BFI Film Fund, Ben Roberts; BFI Creative Director, Heather Stewart; BFI Film Fund Senior Executives, Chris Collins, Lizzie Francke and Natascha Wharton; and BFI Business Affairs Executive, Jodie Orme.

 

 

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New website OneThingIKnow.co.uk is celebrating its foundation with the launch of a new book featuring a wealth of hard-earned business insights from an impressive range of leaders from across the creative spectrum, from Aardman to Future Publishing.

Published by Creative England as both a free book and website, One Thing I Know compiles hard-earned insights from creative entrepreneurs in a series of articles aimed at passing down their experience of starting, running and growing a creative company.

The articles cover all the creative sectors and come from both established creatives – including Dave Sproxton (Aardman) Charles Wace (twofour) Spencer Buck (Taxi Studio) and Jim Douglas (Future Publishing) – as well as from 20-somethings whose agencies are just surviving their first few years.

The book, designed by Fiasco, also contains original artwork from over 30 commissioned UK artists, including Gav Strange, Slumber Bean, Pixillion and Sneaky Raccoon.

The free book can be ordered from www.OneThingIKnow.co.uk, where all the articles are also available in digital format.

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BAFTA presents a craft masterclass with acclaimed BAFTA-nominated Director of Photography Sean Bobbitt (Shame, Hunger, The Place Beyond The Pines, Byzantium). In his BAFTA Crew masterclass, Sean will discuss his creative process and career in the camera department, exploring his work on award-winning collaborations with directors across genres and mediums.

Sean began his career as a news cameraman in the early 1980s working with the American networks covering the major news hotspots of the world. He then went on to shoot documentaries working with such directors as Angus McQueen, Nick Read and Jonathan Miller, and companies such as Brook Lapping. In the late 1990s Sean began shooting drama for both film and television and in 1999 shot Wonderland for Michael Winterbottom.  Other film credits include The Situation directed by Philip Haas, starring Damian Lewis and Connie Neilson; The Baker directed by Gareth Lewis, starring Damian Lewis, and Mrs Ratcliffe’s Revolution for director Billie Eltringham starring Iain Glenn and Catherine Tate.

In 2008 he shot Director Steve McQueen’s debut feature Hunger, which garnered huge critical acclaim and won, amongst others, the prestigious Camera d’Or at Cannes. Sean also won a BIFA Technical Achievement Award for his work.   Sean has collaborated with Steve on several art installations including his 2009 Venice Biennale piece, “Giardini”.

Television credits include award winning dramas Sense and Sensibility (for which Sean was Emmy-nominated for Best Cinematography), The Long Firm (for which he received a BAFTA Nomination for Best Photography), Canterbury Tales (for which he won an RTS Award for Best Photography), and Unforgiven for director David Evans.

In 2010, Sean reunited with Michael Winterbottom on both Everyday and The Killer Inside Me.  That same year, Sean shot Africa United and Hysteria as well as reuniting with director Steve McQueen on the BAFTA-nominated Shame, about a successful businessman living with sex addiction.  Shame earned Sean a BIFA Award nomination in 2011 for Best Technical Achievement as well as a European Film Award in 2012 for Best Cinematography. In 2012 Sean was BAFTA-nominated for the television documentary Crack House.

More recently Sean collaborated again with McQueen on Twelve Years A Slave starring Chiwetel Ejiofor and Brad Pitt. Sean also completed Neil Jordan’s Byzantium starring Saoirse Ronan and Gemma Arterton, Derek Cianfrance’s The Place Beyond The Pines starring Ryan Gosling, Eva Mendes and Bradley Cooper and Spike Lee’s remake of Oldboy starring Josh Brolin and Elizabeth Olson.

This event is funded by Creative Skillset’s Craft and Technical Skills Academy and in partnership with Creative England, as part of BAFTA Crew.

Tickets are available now from the Watershed website.

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